Nathalie

Karagiannis

mar

2026

mar. Museum Tàpies
mar. Museum Tàpies
mar. Museum Tàpies
Trace The need to look at the natural light and shades, and to hide things.

mar, Tàpies Museum, Barcelona, 2026.

mar is a spatial intervention in the Tàpies Museum in Barcelona. It has two parts that were both made by blue carbon paper (the traditional CC paper) and it is an ultra-light, horizontal answer to Tàpies’s repetitive concern with verticality and the wall. It was installed on the occasion of the residency Mur Mur i Zo that I shared with Georgia Vardarou and whose aim was the exploration of the exhibition The Perpetual Movement of the Wall.

+ info

Photo credits: Edu Pedrocchi/Museu Tàpies

mar. Museum Tàpies

mar, Tàpies Museum, Barcelona, 2026.

mar is a spatial intervention in the Tàpies Museum in Barcelona. It has two parts that were both made by blue carbon paper (the traditional CC paper) and it is an ultra-light, horizontal answer to Tàpies’s repetitive concern with verticality and the wall. It was installed on the occasion of the residency Mur Mur i Zo that I shared with Georgia Vardarou and whose aim was the exploration of the exhibition The Perpetual Movement of the Wall.

+ info

Photo credits: Edu Pedrocchi/Museu Tàpies

mar. Museum Tàpies
mar. Museum Tàpies
Trace The need to look at the natural light and shades, and to hide things.